Sunday, August 16, 2009

şango (21)



şango
african tankas
oyo’s fourth oba
was perhaps its greatest king;
a man of power
sent from ọrun to àiyé,
was the great mystery’s gift.

olódùmaré
was not pleased, was very wroth;
despaired for his folk.
away from him, they had turned.
were a sinful, evil lot.

he sent them şango
to study, civilize them;
who was said to be,
from a child, of an untamed
& bloody disposition.

this boy could spew fire,
orun’s fire, out of his mouth.
he was too clever,
skillful in sleight-of-hand tricks,
& he could call down lightning.

olódùmaré
endowed him with many gifts,
but thru’ sorcery,
he controlled & mastered them.
the people were afraid of him.

greatness apparent,
he became oyo’s fourth king,
& in seven years
through constant warfare & strife,
expanded by triple his realm!

he, in time, became
a punishing moral force,
a scourge against sin.
he would seek out murderers,
liars & evil-doers

among his people.
he surely would strike them down
with thunderstones, lightning
bolts & loathsome sorcery;
burn their homes & possessions!

he would take revenge
on those who hurt or offended
friends & favorites.
his justice was swift & sure;
his retribution, deadly.

his love for magic grew.
jealous of his sorcery,
he brooked no rivals.
one day, craving even more
power, he sought out eşu.

he wanted a charm
of great power that only
eşu could fashion,
& sent ọya, his wife with
a large goat to make ebo;

beg the òrìşà,
maferefun eşu, to
grant his desire.
the divine messenger, who
knows all men’s hearts, knew şango’s,
was pleased with his offering.

“come back tomorrow,”
eşu said, “i will have what yr
husband desires, then.”
i wonder what şango is
up to, ọya thought, intrigued.

he had told her naught
but to bring whatever the
òrìşà gave her
back to him unopened &
untouched if she loved living.

she could not return
home empty handed, so she slept
in the woods that night.
at morning light, she got up
& went back to eşu’s house.

òrìşà eşu
met her at the door. he gave
her a knowing look
& a calabash. “what şango
desires is in there, wrapped up

in banana leaves.
don’t look & don’t touch!” he smiled.
curious ọya
coveted magic as much
as şango. she could not bear

the thought of şango
knowing something she did not.
she waited until
she was out of eşu’s sight
& opened the calabash.

she took out the charm
& unwrapped it. brown powder.
she put a little
on her tongue. nothing happened.
disgusted, she dismissed it.

she rewrapped it, put
it back in the calabash.
one of eşu’s tricks,
she laughed – nothing ventured
nothing gained – none the wiser.

şango was waiting
anxiously for her return.
when he saw his wife
he ran out to her. “do u
have it? where is it, woman??

she opened her mouth
to answer him, but before
her affirming words
came, a sheet of flame flew out
of her mouth & singed his beard.

she fled for her life.
şango chased her all over
the compound hurling
his thunderstones & lightning
bolts. she hid among the sheep.

his anger was huge,
but the people loved ọya.
& begged him, they did,
on her behalf. “please forgive her
kabiyesi, let her be.”

şango relented
he really did love ọya,
tho’ she vexed him much
& he had his charm. he’d use
it on an auspicious day.

on that fateful day
şango ascended the hill
behind his palace
to practice his sorcery.
he wasn’t sure the charm would work.

he took the powder
orally. but when he spoke
the words of power
fire & lightning spewed out of
his mouth & out of control

destroyed his palace
& killed several of his
wives & young children.
full of remorse he hung himself
on a karite nut tree

& descended thru
a hole in the ground into
the domain of death.
while dwelling among the dead,
he saw the virgin, yewa.

yewa, the daughter
of oduduwa, who had
become so obsessed
with şango her father sent
her to the house of the dead

to dwell forever,
& save her virginity.
she had become the
òrìşà who consumed the
flesh of the dead.

she rendered the waste
of their inert flesh into
the earth’s nutrients.
& she was still unearthly
beautiful. seeing şango

again awoke in
her the longing. he seduced her.
she took in his seed;
was soon big with child. life was
begat in the domain of death,
brusina, the virgin’s child.

by impregnating
the eater of men with the seed
of life in the realm
of desolation & loss
şango triumphed over death.

olódùmaré
heard of this & marveled. lifted
shango up, he did.
mo juba awo şango
mo juba awo ojo

(i humble myself before the mysteries of shango!)
(i humble myself before the mysteries of rain!)


© Joseph McNair; 2009


Saturday, August 15, 2009

intelligence is a number (20)


intelligence is a number?


intelligence is ...a number...proclaim some kabbalists of canon, scientismic numerologists & sycophantic psychometrists who bind shadows of certainty to opinion; who cast gratuitous glamours on popular thought; who quantify links on a dubious chain of being; & place humankind linearly on a patent, but immutable measure of mental worth.

see where they come from; see how they run...

the honorable james wilson of pennsylvania, in the constitutional crucible of brotherly love, resurrects in the words of madison "an arbitrary but reasonable compromise "to forge a more perfect union; to confirm that servitude so debases the slave beneath free men that he is divested of two-fifths of his humanity...”

& thus did america in its infancy tell the tale that wagged the european dog...

alas st. darwin, look what they've done to yr song! joseph arthur de gobineau, inspired by u, plumbed his unconscious & found in the throes of narcissistic vision a muse of alabaster white; the sacred harlot of the wild tribes of europe; proclaimed her arya the fittest & laid the accomplishments of "civilization" at her feet.

there's a song in the air...

ricard wagner distilled that same seminal vision & like a satyr on a binge fructified his gestamtkunstwerk; infused it into his sprechsingen, into his lietmotiv. crafted he, the greatest of the volk composers, the melodic theme that forever announces white supremacy whenever & wherever it is played.

get down with opp...

john langdon haydon down did in fact get down with o.p.p.– odious, pernicious prattle; scientific racism hustled as scientific fact. claimed that mankind's mentally defective minions were more frequently distributed among colored ethnic groups; that most could be arranged, like children from the same parents, around a mongolian type.

how appropriate that the syndrome that bears his name is synonymous to congenital idiocy.

turn century turn, pervert the efforts of kindly old al binet in yr spin. america, the child who precociously masturbated, has penetrated puberty; is ready to take something else in hand; is ready to fornicate, to go down on a seductive idea; to stimulate a hereditarian interpretation of intelligence with mouth & tongue.

behold, there came wisemen...

terman, goddard & yerkes, the dragons of summer sow their teeth in the fallow fields of psychometry; reap a harvest of feebleminded spanish-indians, mexicans & negroes; jews, russians, hungarians, italians & negroes; & negroes & negroes. posted they these as sentries to guard the fleecing of america's mindscape.

to every thing, there is a season...

enter jensen, shockley, bereiter, herrnstein & murray, five blind dancing necrophiliacs courting general heritable intelligence; swinging as it were with daddy g, that animated stiff, that sepulchral lich, that factor which defies analysis but rises again & again in the academy, the classroom, newsroom & on t.v. in perpetual canonical easter.

a voice crying in the wilderness...

what serendipitous chance affords a hearing to dissonant voices crying in the wilderness? voices who would rebuke the numbers, the eugenics, the dangerous demagoguery? this poem affords that chance.

this poem would preach with homily & perorative passion problem solving; preach mental worth made manifest in an infinite variety of valued multicultural products, constructs & designs that radiate luminous selfhood; evoked by nurture, by opportunity.

this poem would rend the vision of a cognitive elite drawing its sustenance from racist patriarchy...


would board up hirschian warehouses of functional literacy forever; would eschew achievement of limited expectations. this poem would drown out the white noise of affected intelligence born of statistical correlation with the lush progressive solos of the caring human voice coaxing out human competence, & even greatness, whatever the form, wherever & in whomever it is found.

© Joseph McNair; 2009

black holes (19)


black holes

being alone but not lonely;
living in a space full of holes
left by stars that have collapsed;
the sundry women in my life
that are with me no more;
whose memories are regions
of concentrated mass –
holes with point-like singularity
at their center & event horizons
at their outer edges.
i keep them at more than arm's
length; am an artful dodger.
for if i get too close the laws of
gravity brook no turning back.
i would be sucked in again;
would require a speed greater
than light to escape.

& copy; Joseph McNair; 2009

Friday, August 14, 2009

remembering the black arts movement (18)


remembering the black arts
movement

to think is to release from all natural
downflow the power to build with light…
dane rudhyar

no consecrated wafer then for malcolm's riddled corpse;
no wine of any vintage for his blood.
poetic thought contained that host, that pure élan vitale.
did not repress it,
nor suppress it,
but compressed it –
gave it fathomless depth & profound stillness.

black art
must give a sense of the good & the true;
must give the sensibility to live productively,
responsibly, bound by a code of ethics.


a poet's verse unleashed its power to build with rite & lore
a whimsical expression of black art.
we sowed the wind & dared to reap a raging black aesthetic;
tried to express it
& possess it,
but impressed it
with our bittersweet hope & profound sadness.

black art
must edify & exalt black people;
must promote common self-recognition &
self-empowerment.


an angry muse this black aesthetic shaped our poignant song.
prose/poems ripped from buds by ruthless spring;
their funky scents the cloying tang of rhythm, rhyme & rancor –
did not repress it,
nor suppress it,
but caressed it;
gave into its narcosis & sweet release.

black artists
must be morally & culturally
responsible for their art;
the question of black survival is at its very core –
must be free of charge.


no consecrated wafer yet for malcolm's riddled corpse;
no wine of rarest vintage for his blood.
no transubstantiation – just a humble celebration
in poems
that compress it,
plays that confess it
& stories that possess it;
this sanguine ethos, this marvelously musty spirit!


© Joseph McNair; 2009

my sister got happy (17)



my sister got happy...


holy homily! god's gnarly finger poked
my sister in the eye; his hoary hand squeezed
her heart like a sponge! see the tears
flooding the pew where she primly sits
cascading down onto the floor in an ever
widening puddle threatening to soak
the church & all therein with all the
righteousness a nine year old girl can hold.
see her shoulders hunched heaving up & down
like she's trying to bareback buck the holy spirit –
just like aunt mamie & a host of other big boned
legendary georgia women who tried in the face of
impossible odds to shout cute. how dare she get
happy before me? i'm the oldest; i'm the annointed
one (if mama is right) positioned near the cross.
i wonder what filled with spirit feels like?
how does one get happy? maybe rapture is
really rupture! does too much spirit fracture
reserve; make ductile personality flow rapidly,
plastically, forming bubbles that burst into
emotional tempests & torrents of human rain?
how does god pick his vessels? why did he pick
my sister instead of me? getting happy is
preliminary to salvation; signals certain
sanctification. maybe she is gifted with grace,
a spiritual prodigy. but no, god wouldn't do that
to me. he seems to enjoy our balanced sibling
rivalry. i pray it is insight more than envy that
whispers to my heart – that she like a host of
pious georgia women before her has dutifully
learned to fake intense or paroxysmal release.

© Joseph McNair; 1994-2009

go and sin some more (16)



go & sin some more


do i need more bass in my voice?
is something wrong with my vibrato?
is my do-ti-so-mi-so-la-ti-la sam cooke
arpeggio unconvincing?
why can't i get them to shout?
i can't even get a spirited amen. when i sing:
"i have felt the stain of sin"
the saints merely smile.
what do i have to do, rob a bank.
is my song that transparent? is even my sin
second rate. brother adams sounds like he
has a permanent cold; is always clearing his
middle-aged throat. but all he has to do is
hit one phlegmy note & the screams fly out of those
church women like birds out of open cages.
"thank ya, jee-sus!" they say & fan themselves faster,
his vocal mistakes obscured by the noise they make.
what am i to do? must i squeeze an
ocean of feeling out of my throat & chest?
or must i go & sin some more?


©Joseph McNair; 1992-2009

Thursday, August 13, 2009

juba girl (15)



juba girl


disambiguation in five parts
november 30, 1976

1
juba girl
a dark dawn dance
mpenzi yuko wapi
(where is yr lover?)

a lucent
judas tree in bloom
upenzi uko wapi
(where is yr love?)

her plunging roots
impale the brain
& leave the heart
a begging bowl
mungo yuko wapi?
(where is god)
ni namhitaji sasa!
(i need him now!)

2
picking up the pieces,
part i


facing myself in the glare of morning
the all important looking glass remains
for once without comment
vainly i try to scrape u from my mouth
but tongue & teeth, too, have memories,
nor will mine soon forget yr suck & whirl.
the evening past was not without its magic.
though evenly matched, we dared try each other –
i with secret knowledge; u with guile & years.
a bold advance. a sweet parry an exchange.
twice u melted under fire; twice u recovered
in time i fell before yr furtive past, defeated
& could not take u.
i am not bitter.
my blood though aches with yr confusion.
if u are shy of pain, are u not shy of joy?
would u reach out to touch desire &
doing so retreat to the void for fear?
perhaps i am bitter!

3
picking up the pieces,
part ii


a fragmented heart like a
nub of hand or stump of leg
is not without its special pain
what hurts so is missing.
one seldom offers a nub
or braves a stump to stand on.
so is a burst heart grudgingly
given unless
one like u retrieves those
scattered fragments
or most
i taste yr back
& stare down its scented valley,
wondering why an injured hand or
leg so well preserves its tragedy
but seemingly,
the heart so soon forgets

4
picking up the pieces,
part iii

at decision’s forked road i sit, a jellied heap
for now. my stomach weighs a writhing ton.
how large do nostrils grow? & does the mind
flux & drip right through them?

i am drunk on yr mixed signals
yr skin & all beneath says
love me

yr mouth forms words of non-involvement

i would believe u & flee, leaving
yr shadow with others who give relentless
chase

but that’s old even another life
& what of pride?

i’ll not take what is not freely given
so i sit & finger the wind –
at least until tomorrow.

5
blue

i must stop this dull ache

the night offers no soothing balm
nor is the radio anymore than
pitying.

i believe
i believe i’ll go back home
dust my broom
or change the lock
on my door

i’m putting time between us
hoping my walking shoes are
seven league boots
i wish i were a giant again.


©Joseph McNair 1976-2009