Showing posts with label self-discovery. Show all posts
Showing posts with label self-discovery. Show all posts

Sunday, February 28, 2010


kinkan ma’sẹ olori orite

for hrg olorí iya orite olasowo adefunmi

are queens born or made? is there a royal jelly, a
thick, creamy secretion to feed to a girl, like that fed
by the hive in copious amounts to one larval
honeybee? to modify its genome? to groom a
queen? what made sheila brown from pleasantville, new jersey
special? who opened the road? who sniffed out the shortest
route? who cleared away the obstructions that stood in the
way to eku odun oyotunji & the great
orisa vodou spiritual lineage she helped
to build? did this all unfold thru’ the exertions of
human will? nay, not fickle human will, but divine.
this queen was born, not made, her portion conferred by great
olódùmarè to lead his dear children along.

©Joseph McNair;2010


kinkan ma’sẹ nana

for ohemmaa nana boatenma

ye ko bisa aberewa, we come to consult
the wise woman, the one ordained by the gods to bring
into the world all that is good in the human race.
we come to see you, nana – nana boatenmaa.
u sit so fine & fair on the ohemmaa adwa,
the queen mother’s silver stool – u who might publicly
rebuke the king when he is mistaken, incite the
village even to war when audacity fails &
stout men quake in fear, or spread soothing words like an
unguent on heart wounds so that we, yr children, might heal;
that we might even forgive those who have treated us
unjustly. we come, nana, to behold yr luster,
the soft, subdued iridescence of yr great wisdom.


©Joseph McNair;2010



kinkan ma’sẹ yẹyẹ

for delma jackson rodriguez

queen mother delma, yr fierce passion power defines
abundance. when u received carida del cobre
like river water incorporates drops of honey
& aspirated prayer, u became an ambient
agent thru’ whom all blessings flow, particularly
those of oşun edẹ, who creates beauty, elegance
& grace & oşun ibu kolẹ, who transforms the
erotic into the motive force that stirs even
the òrìşa. u bring authentic aşe to the
ceremonies of the living. u place the beaded
crown on the genuine oba’s head, & u ensure
that issues of respect & justice toward women
are maintained. mojuba mother, yẹyẹ adupe!

© Joseph McNair; 2010


kinkan ma’sẹ adora

for adora obi nweze


first daughter of the people, heart/soul of yr father/
mother god, where would this community be without
u? more than efuru righting the wrongs visited
upon us, adjudicating justice, u have been
like nimu kwome, ibo goddess of creation,
our protection; like nnemuru ora, female
force extraordinaire, who provided for the needs of
her community. we are humbled, adora. we
stand quite in awe of the very least of your service.
u believed & therefore achieved, onye kwe chi ya
ekwe, our oboloko/adaogu, spirit
worker/warrior, we thank u! anyi n'ekele gi!


© Joseph McNair; 2010

Sunday, October 4, 2009

crossing the niger (4)



crossing the niger

the taxi, its nature true of all beasts of burden &
conveyance however long of leg & wind requires a break in
a protracted journey. the carburetor cough, the ragged
revving of acceleration, like the belabored breathing of an
exhausted runner, telltales the need for rest. its driver &
passengers (me among them) too are travelweary; show the
collective strain of an unrelenting sprint, a random obstacle
course of gaping pot-holes, figure-eighting oncoming
maniac-driven vehicles which thread needle-eye openings
between to & fro traffic; have held for hours the unison
leftward oblique of anxious body posture, bodies leaning,
eyes straining to see around go-slowing lorries, rightward
leftward curves to see over the hills & through every
manner of blindspot. seven psychic pairs of hands to aid
the steering; seven extra pairs of eyes for the driver who
seems compelled by some demon to overtake anything
ahead on faith, to devour vast stretches of road at the speed
of light. we pull into the rest stop at lokoja, at the foot of
the bridge across the niger. my travel companions
disembark, & disappear into the raggedly rugged array of
scrap wood & zinc-roofed restaurants; settle heavily in
front of plate of rice & beans, eba & egusi soup, pounded
yam & bush meat. the air is pungent with palm oil. i
override my urge for food & drink & cast my eyes upon the
river. i am drawn by its languid motion & am compelled
down a footpath around & behind the restaurant…

“oga wetin? eat, now!” the driver, watching me, calls.
“i’m coming,” i say,
“kilonşe e? were oyinbo!”

i walk with vague purpose along the banks of this ancient
river thinking of all the rivers i’ve crossed in the blur of a
lifetime. there is always one more river, no matter how
deep or wide the last. i respect all rivers; become involved
on planes personal with those i touch physically. each
private mountain scaled has had its companion river. &
rivers, like oceans seem to suck all of my personal water
out of me, leaving me vampire-drained. obversely
inebriated, psychically disoriented, & hopelessly addicted
to large bodies of water. knowing the consequences i seek
out a place to sit, & find one on a mossy finger of rock,
bent at the knuckle, exploring the sensuous wet riverine
depths. removing my shoes, & rolling up my trousers, i sit
myself down, my feet submerged in the swirling eddies of
red & gold. giving myself over to its wet, noisy kisses,
oblivious to the sinister suck at my toes, ankles, & calves,
the steady seepage of feeling out through the walls of my
skin at points of contact, i am reeling…

wet dreams. selfwaters merge with godwaters dissolves
time dissolve the walls door & windows between one
hundred & thirty one days seven thousand eight hundred &
sixty hours four hundred seventy one thousand six hundred
seconds such a swift temporal blink so complete a
transformation the boy the youth the man merely
characters encountered when i dream there is no one
outside to confirm their existence make flesh their
reflections breathe into them ... there was one once (who
was she?)… naked as a man with a few clothes can be
…skills/talents/abilities without reference less revered
applies to uses not intended (by whom? by me/i/) … living
an unctuous obsequious poem singing rhyming clowning
for rapt audiences of children laughing bose querulous
olukemi precocious wale sullen mansa stubborn yewande
& others (where are their names?) amusing them/myself
while mothers market fathers work me earning a now &
then meal & a bottle of beer a lift into town or a word to a
friend who knows someone who has a brother in the
ministry at the television house whose legs are long who is
family firm sure things relax take it easy… lectures in the
beer parlors (is that me talking?) pounding home the
vagaries of america's many-headed hydra of racism
reaganomics realpolitik ruthless rushream of cashflow
dirty collared hucksters porkbarrel perverts haute haughty
heterophobes…masking desperation in beer life of the
parlor big joe (small joe?) must be a professor from who
knows where university truth wrapped in fraud…playing
postman carrying my curriculum vitae twenty-five copies
for unilag thirty copies for unibadan forty for unife
traveling to iwo ilesa ijebu ode ekpoma clerk loses fifty
copies of c.v. at ilesa finds it for five naria dash to ile ife
dean keeps me waiting three hours queries my credentials
degrees never heard of my secondary school, it’s not in
nigeria sir oh i see why did u come to nigeria u weren’t
recruited aren’t u too young to be a principal perfect for
ibadan but well u see we want a ph.d although there aren’t
many if any on the faculty with yr experience or yr
specialized training my hand’s are tied iwo loses my
twenty-five c.v. copies five naria is not enough to find them
asuu goes on strike moratorium on hiring shoes worn out
business suit frayed unsuited for tropical heat ten kobo is
all that remains of settling stake sell my camera fade from
social contacts hide in a half life of three months move to
the boy’s quarters in bashorun cook with kerosene make a
fable out of abjectivity a shelter in which to live move now
like an
elephant in tight shoes… down but not out destiny
here in
the bosom of nigeria am made of strong stuff will
not quit
runaway be deflected owe it to myself-friends
real friends
found in the salt of nigerian soil shelter in the
time of
trouble rocks in a weary land ajax & linda poured
balm
over & bandaged my broken heart watched over me
with
angel eyes frank oyenuga fountain of encouragement
zenobia soft severity looking glass clear chief bessie taiwo
sister intimate motherwarm held my hand shoveled food in
my stomach starch in my backbone john nwankwo gave
help when there was no help steadfast staunch regenerative
force olu akinkoye brother lost & found hundredfold giving
bola & lolita gave me shelter taught me a lesson in trust
sofie
& yemi sympathetic soothing caring a welcome place
to hide
to share chris chidebe provided cover from
embarrassment
a place to anonymously plan muyiwa ogunaike
faithful
companion helped me trace ibadan’s underbelly yaya
abubakar gave hope to hold on to lent powerful influence
with interest secured the future…debts too great to ever
repay except in kind & by an infinite number of cheerful
installments to nigeria my cross my crown

“oga, oga, chei! oga! wake –o…! why u do dis t’ing?”

the driver’s face forms from many droplets of a dream;
focuses into a mask of annoyance. “oh! sorry-o; must have
dozed off. is it time to go?”the driver hissed in that way that
only africans can, lips open, teeth clenched; sucking in air
mixed with bubbles of spit back across the cuspids forcing a
passage between the teeth & the soft inner tissue of the
cheeks. the sound & the meaning is unmistakable. he turns
angrily & runwalks up the footpath towards the taxi. fully
awake now i hurriedly pick myself up, grab my shoes &
follow – the fool might leave me if i dawdle. the engine is
running when i reach the cab. the other passengers look at
me strangely but say nothing. my stomach growls in
english, the price of indulging a turbulent spirit. on the road
again, we are quickly semi-airborne, flying across the niger
without ceremony. but for me a personal ritual is complete,
& with that inner calm & glow that follows yet’ another
initiation i allow myself to be carried north to kaduna &
then, perhaps to zaria & employment without a backward
glance. i feel, really feel for the first time on this continent
like a prodigal, bereft, bruised, but undaunted, coming
home.

© Joseph McNair; 1984-2009

Wednesday, August 5, 2009

òrìşà oko (1)


òrìşà oko
african tankas

the primordial
virgin mother, sweet yemmu,
had a wondrous farm.
& on that farm she grew yams,
yams so tasty sweet & white!

yams grown with magic,
imbued with virgin essence.
òrìşà oko ,
spirit of fertility,
who shared & kept her secret,

farmed her precious yams
with steadfast fidelity.
none could pry from him
the secret of their savor,
the secret of their flavor

òrìşà oko
who never had nor desired
a woman’s comfort;
who could not be tender-trapped,
who only loved his farming,

iyan & emu
(pounded yam without blemish
& milk-white palm wine),
placed his hunger before sex,
food & drink before women.

along comes şango
craving yemmu’s bata drums;
went to her begging.
why the virgin told him no,
the pataki’s don’t reveal --

but she made of him
a bitter, unrelenting,
unrequited foe.
to his mother he did turn
to plot the virgin’s ruin.

yemọja turned her
charms on òrìşà oko
to steal the secret
of growing yams. he resisted
her; kept his wits about him.

oko elefun
was strong when yemoja bared
her melon breasts;
even when she stroked his gourd.
but she came to him each day,

more lovely than the
day before –until his great
need awoke & his great strength
surely broke; his lust revealed.

it was alara,
yemọja’s beautiful road,
who did seduce him,
sucked his secrets out of him
& made him betray his trust..

yes, he laid with her
every day & all day long
to sate his great lust.
he neglected yemmu’s farm
‘til her yams withered & died.

to şango, her son,
yemọja gave the secret
of yam perfection,
he started his own yam farm
to rival that of yemmu.

at harvest, şango
took a bushel to yemmu,
the best of his lot;
traded for her bata drums
& spared her reputation.

the conspiracy
complete, yemọja tired of
òrìşà oko,
left him shamed, insatiate
& grieving his only love.

the great mystery,
olódùmaré heard him,
(eleti gbo hun
gbaroye eda) all
hearing ears for our cries,

raised the farmer up.
healed him, loved him & blessed him;
cleaned away his shame,
made him judge of òrìşàs,
arbiter of their disputes.

& into the earth
òrìşà oko placed his
lust; made her fecund,
fertile & fruitful. (ọla
ọlọrun rẹ ni njẹ!)




© Joseph McNair; 2009

Tuesday, July 28, 2009

ogun (40)


ògún
african tankas

into the forest
fled a despairing ògún
his heart, cold iron.
civilization’s owner
did forsake his blacksmith fires.

ògún oni’re,
the fallow fields begged, implored,
without yr spirit
nothing grows or thrives or lives—
only death makes feast; enjoys.

return to yr fires
onile kangun-dangun,
the overgrown paths
cried out to him, beseeched him.
we need u to clear the way.

without u eşu
cannot open brand new paths;
òşóòsi cannot
find the shortest, straightest route,
come out of the forest, please!

deaf to their begging
the fields could not persuade him
deaf to their pleading
the paths could not convince him.
he was through with human kind.

man had soiled his gifts;
& had turned his face from life.
soaked his tools in blood;
worshipped death & oppression.
ògún could not forgive him.

into the forest
ọşun came, unbidden &
unsent. her yellow
scarves aflutter, her honey
dripping down her fleshy thighs.

the river’s spirit
danced her sweet seductive dance
her sweet heady smell
did what fallow fields could not,
what the paths & trails could not.

she enticed ògún
spread her honey on his chin
made him follow her
out of the sacred forest,
back into the world of man.

ògún ni jo ti
ma lana lati ode
(spirit of iron
dances outside to open
the road); & opens the road.

© Joseph McNair; 2009

Tuesday, July 21, 2009

ọya (33)


ọya
a princess tears a cloth in twain
that falls to earth a potent spell.
the mighty niger floods the plain;
ọya springs from its lusty swell.
ọya is the hurricane,
witch wind & summer breeze.
brings trouble & abundant pain
brings healing rains & love’s reprise
her power sweeps away deceit;
she is corruption’s mighty foe.
her justice swift, severe, complete;
for truth she strikes her surest blow.
mother of nine, owner of winds
she nurtures sans distraction
the egungun, four sets of twins
& every marketplace transaction.
ọya gifts the breath of life
& takes it back when life is done;
şango’s bloody bearded wife,
more terrible than anyone.
ọya, thus, is absolute change
her winds explode, uproot & spew
destuction. how passing strange
this force that brings the new.
ọya is the electric storm,
clears the way for the lightning bolt.
unwavering champion of reform,
provocative spirit of revolt

© Joseph McNair;2009