Sunday, September 13, 2009

olori orite (9)


olori orite

u found yr way to me, coming on a million tiny dancing feet
like the fog rolling in from some promnesiac encounter whose
exact circumstances are chimerical, nubilous & misty, bringing
to my life a certain otherworldly gratifying of a deep melancholy
thirst, like looking down on a key west cloud bank, shortly before
or after sunset, & seeing/hearing the white, feathery glory of a
million droplets of water & ice singing to my parched soul.
i gaze down on the fleecy white & dreaded locks which crown yr
head, a crown which awakens all pleasure, & know why the afefe
wind drinks so deeply of yr sweet waters, lifts them up & carries
them to thirsty fields & lands; to the sea. i, too, will drink deep,
but i will keep u close; inhale yr fragrant power, taste yr pungent
honey & grow stronger than I have been, strong & stout enough
for u, spirit of earth who wanders freely,
o male odale o san rere!

© Joseph McNair; 2009

Saturday, September 12, 2009

remembering martin (8)



remembering martin



…his spirit must have nightly floated free
though still about his hands he felt his chains.
who heard great "jordan roll"? whose starward eye
saw that chariot "swing low"? & who was he
that breathed that comforting, melodic sigh,
"nobody knows de trouble i seed"?
james weldon johnson


no supernal presentation marked yr birth.
no special alignment of known planets. no
shield of david pressed upon a grand cross
no eight pointed star. no angelic hosts no
magi & none foretold yr coming. yet were u
born the first son & second child into a black
middle-class family of kings. the son of the
son of a preacher, three & twenty days past
the winter solstice, in the season of christ
& caesar, on 501 auburn avenue ne. atlanta.
no one knew then, michael, that u would
change yr name; assume a nom de guerre
for yr appointed social role: michael to
martin, the quintessential protesting cleric –
not against a corrupt universal church & the
purchased forgiveness of sin, but against
inertial forms of personal & social living
that resist acceleration & change; against
the forms of overt & institutional racism
that seek indulgences; the remission of
punishment. no one knew then, michael,
that u would be the focus,the coxswain,
the shepherd of the transforming & creative
response of spirit to a disparate &
disintegrated people; rootless, aroused &
demanding africans wandering in the
wilderness of america’s intellectual
generalizations, formulas & standardizing
regulations – suffering in the midst of
plenty. no one knew that u would utter a
new logos, a new word of power to project
on all unintegrated americans; unleash the
power of a dream.
neither did u, martin, perforce the more-
house college maxim: to uplift the human
race through responsible citizenship; was
naught but a subliminal goad when u tarried
there. nor did crozer & a divinity degree
bring sudden disclosure of the meaning of
yr destiny. no, non-disclosing spirit piqued
the course of yr life’s events. that same
spirit gave resonance to yr message;
made it the answer to the needs of the
millions unable to accept, to endure
american social living.
it focused & projected a new kind of
humanity, a new kind of personhood; it
activated new human faculties. but it
revealed itself to u, first, when the
stubborn courage of an alabama seamstress,
too tired to give up her seat for oppression –
whose wholeness unmasked in an instant of
resistance her essential identity – induced
in u a charge u were compelled to keep;
raised yr vibratory rate, made u shine
with an inner light – the light that alone
integrates the chaos of the world. the rest,
as they say, is vulgate history. that light,
though, was the substance of yr message
& yr dream. we clamored for freedom, but
u dancing, like a drum major at the head
of the parade, like a will–o’–the–wisp,
showed us that freedom isn’t free; that it
is dearly bought & paid for in the often bloody
coin of personal integrity & responsibility.
yr message & yr dream was about being
free & whole; about discovering one’s true
identity; about refusing to be turned around
or away, steadfastly adhering to life, love
& freedom as interchangeable elements of
righteousness. spirit has acted, martin, in
& through yr life. has impregnated yr dream;
bestowed its most wondrous gift to a confused
& oppressed humanity – that divine spark
which arouses, animates & sustains; the
honey'd taste of freedom!



© Joseph McNair; 2009

Thursday, September 10, 2009

requiem æternam (7)



requiem æternam



for rosa parks


mama rosa,
what ephemeral hands & fingers stitched;
fancy sewed together pieces of the life
your designer self prepared;
a life turned lens & symbol
where
A people's spirit,
A people's hope & humanity
converged as after refraction
or reflection into a clear, sharp image
of selfhood.

that spirit, hope & humanity
washed in the blood of an
innocent emmett murdered 100 days before
was quickened; was felt to move in
the womb of your rebellion.

your charmingly odd & artful rebellion —
when weariness of soul & body
bade u keep your seat &
defy hurtful, heritable racism;
put your delicate hips in jail —
was sewn with a single thread;
your exquisite insurgency —
a running stitch turned
decorative embellishment —
engendered a bus boycott, the meteoric
rise of one who rendered our aspirations
in clear outline & sharp detail in
a dream whose designs & pictures
were wrought from colored threads
of pathos & poignancy;
injury & injustice
permanently stitched into the layered
fabrics of our lives.

well done, mother.
u have given the best of your service &
come to the end of your journey.
shake off life's weariness now & rest.
your part in this struggle is done!


© Joseph McNair ; 2009

brown @ 50 (6)



brown @ 50


consider the logic:

major term:
segregation in topeka
pervades life..

minor term:
black children live
segregated in topeka

conclusion:
segregated schools
prepare black children
for the segregation they’ll
face as adults.

thus the school board syllogized
while oliver brown catechized
his daughters linda & terri:

“this definitely is kansas, children!”

they tied us up...
& then,
in three years of litigation...
& then,
homer plessy’s train was a comin’
& then,
& then,
& then…


unh-unh!

& then along came
thurgood marshall;
straight forward, plain-spoken
“equal means getting the same thing,
at the same time & in the same place”

thurgood marshall.

our jim dandy to the rescue;
irascible champion & protector,
who loosed the reins on his colored steed,
clamped the spurs to its legalistic sides,
& rode the naacp up the stairs
& into the chambers of the supreme court
leaving the lightning's flash behind;

straight at the justices he came;
came like a falling star.

made mr. justice earl warren duck,
jump down, turn around;
made him blink & rethink
the treachery of the fifth column,
the enemy within;
made him repent issei, nisei
& sansei internment.
made him bully, cajole
justices jackson, reed,
vinton & clarke
into unanimity;
driving underground
jackson’s law clerk rehnquist &
his defense of plessy as
“right & should be reaffirmed!”

holy toledo harry caray!
the supreme court pitched a shutout!
stepped on the mound of a new
moral high ground.
america won 9 to zip.

but buried in that mound,
whispered into a hole
in that ground
was william rehnquist’s secret.

before long a thick bed of reeds
sprang up on the mound, & as soon
as it had gained its growth,
began whispering a sorry tale;
has continued to do so,
from that day to this,
every time a breeze
passes over the place:

for fifty & one hundred years
when this court’s priority
was to safeguard for a minority
its rights --
be they businessmen, slaveholders,
or jehovah's witnesses –
did all of them await
the same abysmal fate.
one by one they all at best
were sloughed off,
& crept silently to rest.


& now with ailing rehnquist presiding
over this broken court
& thoughtful americans praying
for his health
(his replacement too fearful
to contemplate)
the song of those reeds
buried in that mound,
whispered into that hole
haunts like the tune u
can’t abide but can’t forget
& find yourself humming
inspite of yourself.

consider the logic:

major term:
segregation of children in public schools
solely on the basis of race,
even though the physical facilities &
other "tangible" factors may be equal,
deprive the children of the minority group
of equal educational opportunities

minor term:
america's schools in 2004
have reached levels of segregation
not seen since 1954

conclusion:



© Joseph McNair;2009

homer plessy: man/event (5)



homer plessy: man/
even
t
(1862-1925)

i
homer plessy:
man/event, centercore & connection;
throughput for more legal white racism &
retrograde justice.

homer plessy:
a lens through which an entire
american past focused in an experience
of intense & frightening awareness;

june 7, 1892:
an expectant afternoon bore witness to
a creolization of consciousness;
a syncretism of subjugate fear &
bleak despair with defiance & rebellious resolve!

june 7, 1892:
a creole man & member of comité des citoyens,
stepped into the white only car of the covington-
bound east louisiana railroad train &
took his seat.

ii
how like spirit is freedom:

for the slave...


whose freedom lies in the latent content of
dreams; whose reality is mind conditioned to
reject the personal/universal innerspeak of
dreams.

for the freedman...

whose freedom is like the scent of flowers;
the substance of the wind eluding his propitia-
tory grasp & the poignant verisimilitude of
certain death.

for the oppressor...

whose freedom lies in interfering without inter-
ference; in controlling without being controlled;
in thinking, judging, believing, acting & sexing
while legally suppressing the same.

iii
how long did homer relish his freedom?
before reaping the whirlwind? before the conductor
tried to banish him to the colored car? before taken
into vertiginous custody & held in an existential cell
in a station on boulevarde elysian fields.

how long? not long!
about as long as a flame survives the gale; about as
long as a drunk honors his pledge & abstains from
demon rum; about as fast as racist justice could
railroad his case to the supreme court.

how long? not long?
about as long as it took the court’s 8-1 majority to
decide; about as long as it took to hamstring amend-
ments 13 & 14; about as fast as iron-footed morning
stomps on a black man’s freedom dreams.

homer plessy:
man/event, centercore & connection;
throughput for present-centered black
awareness; seed of civil disobedience!

©Joseph McNair;2009

tryptych (2,3,4)


tryptych

1857
round de meadow am a ringing
de darkeys mournful song...
stephen foster

alas, dred scott, valued if intransigent
property of the widow emerson;
did you weep when massa john died?
did your lamentation ring the meadow
like a morning mist; & seep into the cold,
cold ground; into his deathsleep; into a psyche
so perverse that only in death might he debit
the imagined sorrow of his slaves for surcease.
well you know, dred, that crocodile
tears are tears just the same; you wore their
tracks like tribal marks when you sued
missus Irene for your freedom. had you
not parked your slavery at the
borders of Illinois and Wisconsin
living in freedom's cut for nearly nine years?
once free, always free your facile mind reasoned
trespass vi et armis!
u shook america to its core, dred;
u brought her to the brink of war!
but the crystal clear language of
amendments thirteen, fourteen & fifteen
was not yet writ;
& not yet writ was silent when
the court supreme asked:
can a negro, whose ancestors were
imported, sold as slaves,
be a member of the bodypolitic?
no! said justice roger b. taney;
no! chorused all but two justices
the negro is not a citizen;
merely personal property!
"once a slave, always a slave!"






1865
i come from alabama wid my banjo on my knee
i'se gwine to louisiana, my true luv for to see...
stephen foster

civil war! & with one stroke of presidential pen
millions of africans are set free!
the war is over... & the huddled, breathing
african masses -- the wretched refuse of
warfare, capitalism & white supremacy --
they, too, dreamed of a beacon-hand,
a world wide welcome from lady liberty.
they, too, ached to embrace, to possess
a stately torch holding, tablet bearing,
crown wearing mother of exiles;
but the big apple was too distant, too
abstract for most of america's africans.
new orleans, though, was closer.
they came from alabama, from georgia,
the carolinas, & mississippi to the big easy.
they came bearing their banjos, bones,
tin whistles & fiddles from the south over
to ride the streetcars, go to public schools, vote,
even marry white folk.
in new orleans more than anywhere else
america's africans looked upon the face of freedom,
their suzannah, their lily of the valley,
their true love for to see...
yet freedom, however close she seemed, was
as remote, as abstract as the three hundred foot
concrete white woman wading the waters
of new york harbor.




1877
weel a-bout & turn a-bout
& do just so.
every time i weel a-bout
i jump jim crow.
anonymous

jump jim crow!
see the terrified white men in black face
trying to be funny. see their crass
caricatures cavort on america's stages.
life, indeed, parodies art.
jump jim crow!
america niggardly revoked her promise.
gave the african a pittance, stole it
while he slept, then punished him
when he woke up for losing it !
jump jim crow!
write your bloody script; place your white
supremacist ward on the portals of toilets
resturants, theaters & polling places
to repel african spirits.
jump jim crow!
send your hooded spooks, your cowardly knights
to practice their murderous chivalry.
sow your grand dragons teeth
that you might keep america white & pure.
jump jim crow!
jump, jump, jump, jump, jim crow!
then jump some more! keep on jumpin'
'cause one day you gonna get tired!


© Joseph McNair; 2009

Thursday, September 3, 2009

eşu (1)


eşu
african tankas

in the primeval,
orima, eşu’s demesne,
deep darkness prevailed.
in a translucent enclave
layered above that darkness,

a tiny lightseed
lay. olódùmaré spoke
the word “onovoo!”
orima, the darkness that
was eşu’s kingdom, lit up.

eşu raised his head.
“who is this that brings the light?”
the great mystery’s
booming voice filled orima.
“i am olódùmaré.

“i created light
that life might bloom & flourish.”
“but i own the dark,”
eşu exclaimed! “the dark is
not so conducive to life”

olódùmaré
said. “i have taken much from
u, but to u i
give this. u may mix & move
freely among all of my
creations. no law or rule

will bind u. u will
be first among òrìşà
& they will call u
divine messenger, gatekeeper &
guardian of heaven’s realms,

owner of paths, roads,
& doorways, mediator
of fate.” but eşu
spoke not aloud the words in
his heart & secretly vowed

that vegetation
blooming in the brightness of
light would be his garden;
& all manner of beings
created in the vastness

of space would serve him!
olódùmaré finished
his creative work;
created divinities,
plants, animals & man.
intended them to be good.

but eşu soon had
òrìşà fighting with each
other & humans
defying & denying
the great powers of heaven!

& eşu’s laughter
rang loudly & often in
ọrun & àiyé,
in heaven & on the earth,
he reveled in the fact that

there was no such place
he could not go, no language
he could not speak &
no such rule he could not break!
okunrin ori ita!

man of the crossroads,
eşu’s power develops
in human beings good, strong
character, ọnápade.
he sits at & in between

the doors of childhood,
adolescence, adulthood
with all & sundry
tests & trials of right choices;
a teacher both kind & cruel.

woe if that power
is used capriciously; for
selfish gain or self-
gratification; without
consideration for the

well-being of those
with whom we live. for eşu
tests & tries us all;
tests our strengths & weaknesses
makes us do with what we have.

eşu uses anger
& bleak despair to drive us,
uses happiness
& love to draw us, from birth
to death, demanding the right

choice of doorway, path
or crossroad along the way.
his great energy
flows against the tide thru the
cracks & crevices of fate;

gives capacity
to truly live with chaos,
ambiguity,
& on life’s imposing terms.

mojuba eşu
pa ado asubi da
(turn my suffering
around) lord of the crossroads
lanlu ogirioko
(speak with power!)



© Joseph McNair; 2009